Splash of colorful paint in pink, blue, yellow, and orange on a light background.

This is Ni Modo.

It’s never been harder to make it mean something.

That is what we are here for.

It’s never been easier to make something.


COMMERCIAL

If you’re here, you’re probably not chasing a formula.

Every project starts with someone who believes in it. Our job is to shape that belief into something real and worth remembering. 

It doesn’t need to be loud. It just needs to feel true.

That’s the difference between content and something real.

Projects
  • A young man with dark hair and a beard sitting on a vintage motorcycle on a sandy beach with the ocean in the background.

    Producer + DP

    Ni Modo

    Two estranged half-brothers adventure together through Colombia to fulfill their dead father's will and connect with their family, their father's homeland, and - ultimately - each other.

  • A promotional poster for a television show featuring a smokestack emitting dark smoke and bright sunlight piercing through clouds. The poster includes various actor names and details about the show's new season premiering on October 26 at 10/9c on the National Geographic Channel.

    DP

    Ni Modo

    From the damage wrought by Hurricane Sandy to the upheaval caused by drought in the Middle East, this groundbreaking documentary event series provides first-hand reports on those affected by, and seeking solutions to, climate change.

  • A promotional poster for the documentary film 'Bitter Water' showing a person fishing from a boat with a fish caught on the line, flying birds, a large pale sun, and a stylized profile of a person's face in the background.

    Director + Producer

    Ni Modo

    In southern Baja, the Lucero’s lives have been interwoven with fishing for generations. A commercial and subsistence fishery has evolved into a region focused on pesca-tourism with saltwater fly fishing at the core.

Cinema

We show up the same way, no matter the work.
But with film, there’s usually more room — to explore, to wander, to wait for what shows up. That extra space lets us get closer.

To the story. To the feeling.
To what’s underneath it all.

Projects

I’ve known Peter for over a decade, and he’s one of the best creative producers I’ve worked with. I’ve seen him bring vision and precision to both high-budget campaigns for world leaders and scrappy, guerrilla work for emerging brands. No matter the scale, Peter shows up with the same instinct, focus, and follow-through.

— Aaron Mclear, Edelman

You’ve scrolled this far. That says something.

There’s nothing else here.
(Or maybe there is.)